Resistance (1989) by Borghesia is a stark, politically charged album that fuses Electronic Body Music with industrial rhythms, channeling the tension of late-80s Eastern Europe through pulsing beats and cryptic lyrics. Tracks like “Police Hour (Curfew)” and “Young Prisoners” evoke themes of surveillance, discipline, and defiance, wrapped in a militant sonic aesthetic reminiscent of Front 242 or Laibach. Self-produced and visually curated by the band, the album became a cult artifact of underground club culture, blending art, protest, and electronic experimentation into a confrontational, danceable statement.
